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“The last man on earth sat alone in a room. There was a knock on the door.” - Frederic Brown
The two sentences are in conflict. The author knows this but presents them to you with no explanation, leaving you, the viewer to reconcile them. You can believe or disbelieve the first sentence, the second, or both. Through your shared curiosity, the man in the room becomes instantly relatable, and the person on the other side of the door is instantly fascinating. Even though you know nothing about them. That knock could be anything: a rescue mission, a lost love, a hallucination, a monster… The entire scene is off the page and is now solely in your mind. This is Lost.
Fro is a graphic designer with a heart of gold, his work can be found here, all his prints will be available for purchase shortly, so check back often.
[via 815sentencesaboutlost]
Posted on June 4, 2010 via 815 Sentences About Lost with 592 notes
Source: 815sentencesaboutlost
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creationandquotation reblogged this from fuckyeahlost and added:
Andddd here’s where I start rewatching LOST. fuckyeahlost:
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nixsight reblogged this from fuckyeahlost and added:
It’s pretty much the whole way I approach writing, reading, and everything.
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yokellyyyyy reblogged this from fuckyeahlost and added:
wonderfully put.
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houseofdolls reblogged this from ohaiena and added:
point, it’s open to interpretation...the possibilities
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notforked reblogged this from ohaiena and added:
just pretentious bullshit....that what lost is?
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ohaiena reblogged this from houseofdolls and added:
the entire scene is now completely generic and uninteresting because there are 10,000 reasons a knocking sound is heard...
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samouraidelespace reblogged this from 815sentencesaboutlost and added:
MARTINA THIS IS IT
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shitttalk reblogged this from fuckyeahlost and added:
Amazing. fuckyeahlost
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this is brillliant
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![fuckyeahlost:
“The last man on earth sat alone in a room. There was a knock on the door.” - Frederic Brown
The two sentences are in conflict. The author knows this but presents them to you with no explanation, leaving you, the viewer to reconcile them. You can believe or disbelieve the first sentence, the second, or both. Through your shared curiosity, the man in the room becomes instantly relatable, and the person on the other side of the door is instantly fascinating. Even though you know nothing about them. That knock could be anything: a rescue mission, a lost love, a hallucination, a monster… The entire scene is off the page and is now solely in your mind. This is Lost.
Fro is a graphic designer with a heart of gold, his work can be found here, all his prints will be available for purchase shortly, so check back often.
[via 815sentencesaboutlost]](http://30.media.tumblr.com/tumblr_l101w3ho8v1qajhqso1_500.jpg)